It's been nearly a year since I first heard SELF COM, but I devour everything I can get my hands (and ears on). His sounds are mesmerizing, simple, and utterly brilliant. This time around I had to endure one 9 minute track from BITE ITSELF before I could hear the new songs, but it was torture of the most glorious sort. "Hotel Abyss" could exist as the soundtrack for a short horror film, or as a singular piece of minimal brilliance...these are all sounds that I have heard before, but never in this context and never sounding this harsh or intimidating. SELF COM do not disappoint - dark droning synth with politely tortured vocals. "Dead Space" is as simple four notes on repeat, yet somehow it envelops you, while "I'm A Man" realizes a dark vibe that Vega and Rev could only have dreamed of when composing pretentious synth driven no wave sounds 30 years ago. I like those pretentious synth driven sounds, but this tape achieves something other worldly. This comes from Casual Men.
BITE ITSELF // SELF COM
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It's been nearly a year since I first heard SELF COM, but I devour everything I can get my hands (and ears on). His sounds are mesmerizing, simple, and utterly brilliant. This time around I had to endure one 9 minute track from BITE ITSELF before I could hear the new songs, but it was torture of the most glorious sort. "Hotel Abyss" could exist as the soundtrack for a short horror film, or as a singular piece of minimal brilliance...these are all sounds that I have heard before, but never in this context and never sounding this harsh or intimidating. SELF COM do not disappoint - dark droning synth with politely tortured vocals. "Dead Space" is as simple four notes on repeat, yet somehow it envelops you, while "I'm A Man" realizes a dark vibe that Vega and Rev could only have dreamed of when composing pretentious synth driven no wave sounds 30 years ago. I like those pretentious synth driven sounds, but this tape achieves something other worldly. This comes from Casual Men.
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